Interview With The Artist

Ashlene Ross: Finding Order Within Emotion

Contemporary mixed media artist Ashlene Ross explores the tension between structure and spontaneity, creating expressive abstract paintings shaped by emotion, vulnerability and architectural thinking.

Irish artist Ashlene Ross
Contemporary gestural abstract artist Ashlene Ross.

Some artists begin with a landscape, a figure or a particular colour. For Ashlene Ross, a painting begins with something less tangible: a feeling.

Working between structure and spontaneity, Ashlene creates contemporary gestural abstract paintings that explore the emotions often concealed beneath composed exteriors. Her work is layered, energetic and psychological, reflecting moments of tension, vulnerability and personal reflection.

Her architectural background gives her an instinctive understanding of framework, proportion and organised space. Yet once that structure has been established, she deliberately disrupts it through expressive marks, repeated motifs, experimental processes and intense colour.

The result is work that encourages the viewer to look beyond the surface and discover something personal within each layer.

01 — Artistic Language

Painting Emotion Rather Than Objects

Ashlene describes her artistic style as contemporary gestural abstraction with a bold underlying structure.

Painting first became an outlet for emotion during a period of transition. Over time, that practice evolved into something increasingly abstract and psychological, allowing her to explore feelings that cannot always be expressed directly through words.

Rather than illustrating a scene or telling a literal story, Ashlene seeks to capture the emotional landscape beneath an experience.

Bruan Broch I by Ashlene Ross
Bruan Broch I by Ashlene Ross.
Understudy by Ashlene Ross
Understudy by Ashlene Ross.

02 — Creative Process

Building Structure Before Breaking It

One painting that clearly demonstrates Ashlene's creative process is Understudy.

The work began with the feeling of trying to perform a role while experiencing something entirely different beneath the surface. Ashlene translated this tension into a process built around three distinct stages.

Structure

Bold dark blue stripes establish the composition. They represent frameworks, expectations and boundaries.

Disruption

Overlapping neon colours, repeated imagery and expressive movement begin to resist containment.

Tension

Blind-drawn skull motifs emerge in dripping washes and are reproduced using an ink-blotch transfer process.

The creative process mirrors the subject of the painting itself: an ordered exterior containing something far more complex and unsettled within.

03 — Developing the Composition

From Concept to Completion

Although Ashlene's paintings often feel immediate and spontaneous, the process behind them is carefully considered.

Each piece begins with a concept, followed by preparatory sketches for the different elements and layers of the composition.

The structural framework is established first, before Ashlene decides where gestural movement, repeated motifs and fragments of text should appear.

Once the work reaches a point of apparent completion, she steps away for several days before returning to assess contrast, balance and clarity.

04 — Sources of Inspiration

Inspiration Found in Moments of Tension

Ashlene does not necessarily search for picturesque subjects or perfectly resolved ideas.

Instead, her creativity is often sparked by moments of energy, uncertainty or emotional tension. It is only after stepping back from an experience and questioning how it made her feel that the beginnings of a painting start to emerge.

Her work does not document the event itself. It explores the emotional residue left behind.

Abstract mixed media artwork by Ashlene Ross
Abstract mixed media work by Ashlene Ross.

05 — Architecture and Abstraction

Structure, Freedom and Architectural Thinking

Ashlene's architectural background continues to shape how she approaches the canvas. She is naturally drawn towards frameworks, geometry and structured space.

At the same time, there is a conflicting desire to escape those systems and move beyond their control. Order is not simply present as a visual device. It exists so that it can be challenged.

06 — Influences

Artists Who Changed Her Perspective

Tracey Emin

Tracey Emin changed Ashlene's understanding of what art could be, demonstrating that vulnerability can be a source of strength and that art must be truthful rather than simply beautiful.

Elisia Capitanio

The use of colour and strong graphic structure in Elisia Capitanio's work has influenced the continuing evolution of Ashlene's visual language.

Helen Saunders

Ashlene is fascinated by Helen Saunders and her ability to communicate energy and movement through geometric form.

Detail of Ashlene Ross's mixed media artistic process
Detail from Ashlene Ross's mixed media practice.

07 — Experimentation

Curiosity, Printmaking and New Techniques

Curiosity sits at the centre of Ashlene's studio practice.

She is particularly interested in historical methods of reproducing images and is currently exploring ink-blotch transfer alongside printmaking techniques such as lino printing and monotype.

What attracts her is the balance between preparation and unpredictability. A technique may require careful groundwork, but the final result can still contain an element of surprise.

As a mixed media artist, Ashlene does not feel compelled to choose a single material. Each layer is treated individually according to what it needs to communicate.

09 — Looking Ahead

New Experiences and Public Projects

Ashlene has recently returned from filming as a Wildcard artist for Sky Portrait Artist of the Year 2027, an experience that challenged her and encouraged her to work in new ways.

Her submission has also been selected by Dublin Canvas for its 2026 public art project in Leopardstown.

She is currently participating in the ArtnetDLR group exhibition at Walters Wine Bar in Dún Laoghaire, while another work has been selected for an upcoming group exhibition at Signal Arts Centre in Bray.

With a practice grounded in emotional honesty, formal structure and constant experimentation, Ashlene Ross continues to develop an artistic voice that is both thoughtful and visually compelling.

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