Description
This acrylic artwork is a stunning interplay of cultural influences and intricate design. Against a serene white background, a pattern of dark blue, yellow, and maroon Islamic geometric shapes takes center stage, exuding elegance and precision. The design predominantly reflects Islamic ornamentation, characterized by its symmetrical and interlocking forms, while incorporating subtle influences from African tribal motifs and decorative elements reminiscent of Japanese kimono patterns.
Set on a pristine white canvas, the composition employs flat color blocks to emphasize clarity and balance, while a subtle 3D effect brings depth and dimension. The juxtaposition of vibrant colors and delicate patterns evokes a sense of movement and energy while maintaining a tranquil and meditative quality.
Fatimie was born in Uzbekistan in 1979 and developed a passion for art early in life. Her first exhibition took place during her school years, initiated by her art teacher after she moved to Crimea in 1991. However, life led her in a different direction—after finishing school, she began working, got married, and dedicated herself to her family.
At 37, when her youngest son turned four, she felt an undeniable urge to return to art. She taught herself through online tutorials, articles, and continuous experimentation. Her first project was a drawing of a birch grove, followed by an oil painting of a still life. This rekindled passion led her to create numerous works, establish an Instagram presence, and start selling her paintings.
In 2022, she and her family moved to Ireland, where she continues to develop her artistic practice. Initially focused on classical painting, she explored realism through landscapes and still lifes. Over time, she experimented with various styles and techniques, driven by a deep connection to her cultural heritage.
As a member of a nationality that has endured challenges yet preserved its traditions, she sees her art as a means of cultural storytelling. This is especially evident in her works featuring national ornaments, which symbolize the traditions and identity of her people.
Her artistic practice centers on exploring ethno-style, seeking universal symbols that resonate across cultures. Recently, she has been drawn to depicting visionary worlds—idealized, serene atmospheres inspired by Quranic descriptions of Paradise. These dreamlike landscapes add a spiritual and philosophical depth to her work, inviting viewers into realms of harmony and tranquility.
